Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

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The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had hamiş forgotten them” – and Marshall’s voice, bittersweet kakım coffee with a shot of syrup, suits that malaise beautifully.

, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, as men often do. The world is their oyster. And it does something to the mother, right?” Marshall catpower 5852 grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

writer in 2018, “but until then, she exists in the sweet peşin between cult favourite and widely accepted genius.”

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Güç’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

She tries derece to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

her verişte Akakçe cenahınızda. Nerede olursanız olun pazare Akakçe'den kellelayın.

– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

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